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About

Jayse Hansen is a freelance visual artist for film and television. He has built a solid reputation as a creative-art director for print, web and motion design with clients ranging from Symantec to MTV and Fox.

More recently Jayse has turned his focus to visual effects in the feature film industry - with an emphasis on fictional-interface design. He has designed concept screens for X-Men Origins: Wolverine and hero screens used in 2012. He's also created VFX and onset shots for use in Percy Jackson & The Olympians: The Lightning Thief and Oliver Stone's Wall Street II: Money Never Sleeps.

Cinematography with the Canon 5D mark ii

Cinematography talk on a design blog?

Absolutely.

Broadening your skills in the area of photography and cinematography are excellent additions to your skillset. You’ll start seeing design, composition, storytelling (advertising/branding) differently. You’ll build an entire new way of approaching things.

So I know I usually talk about design stuff – but I’m a sucker for anything motion-visual. I grew up creating films on a super-8 cam, VHS cams, 8mm, miniDV cams and just about anything that would let me capture images.

Below is Chels with a fully functional hand cranked Bolex 8mm film camera that fellow screen designer Mark Coleran gave me in New Mexico Last year. The design on that thing is amazing!

Enter Canon

Now I have the 5d mark II and it’s the first time I feel I have the power of a true 35mm film camera in a tiny little package. Here’s how I filmed NYC with it – pretty much just a Zacuto Z-finder Pro and the camera.

(Gotta mention the Zacuto Target Shooter is ultra light and portable and also goes with me everywhere I go.)

Films

This camera is such great quality that it’s been reported as being used on the most recent Harry Potter film and also onset for Iron Man II. Entire feature films have been produced with this camera. Check out an excellent short-form filmed entirely on a 5dmk2 by my good friend John Nguyen called ‘Denial’

Travel

The last thing about taking on photography and cinematography is that it’s a great way to see the world. My girlfriend, the rawkin’ Chelsea Nicole, has gotten quite famous for her absolutely stunning couples photography. She specializes in photographing people in love and it’s actually allowed us to pursue our dream of travelling the world together (whilst also getting paid to do something that’s just way too fun to be legal.)

Here’s a compilation of a few shoots from Malibu, LA, Vegas, New Orleans, Brooklyn, New York City.

In a few months we’ll be traveling to Texas, Paris, Lille, France, Amsterdam and possibly London. So you can see how a thing like photography can open doors for you in ways you might not have thought of before. It can open your eyes as well.

Starting Out?

If you’re just starting out – I’d recommend two much cheaper cameras that have VERY comparable quality to the 5d: The 7d (about $1,500) and the T2i (an astounding $799.) The differences are mainly ergonomics – but the quality you’ll get out of any of them will blow you away. (Stay away from the non Canon vSLRs so far – they haven’t quite made it yet.)

In the following series of posts, I’ll do some write ups for tips and techniques I’ve learned the hard way. There’s a lot to learn with this camera, hopefully I can save you some of the pain of trial and error.

Stay tuned!

// jayse

August 1, 2010 - 9:43 am george b - Is there anything you aren't great at? That's a pretty sweet rig ya got there. I'm very jealous. Can't wait to see all the other tips and tricks!

August 1, 2010 - 10:53 am Chelsea Nicole - Fantastic post love! You're so talented. :-) P.S. Thanks for the shout-out!

August 1, 2010 - 11:23 am Marcie White - Couldn't agree more - Designers that know composition/story/pacing - a rare breed. It's definitely worth spending time to learn that stuff.

August 2, 2010 - 4:01 pm Victor De Anda - Great post and awesome looking footage! Would like to see more posts from you about shooting and incorporating into your designs! Just starting to shoot stuff with my T2i, can't wait to get into it full on.

Nikon Lenses on a Canon 5d Mark II/7d

Yes – it is very possible and yes – it works very well. I’ve been doing it for a while and it works great. I absolutely love shooting on the 5dmkii.

I held off on the whole 5d madness because all of my glass – and Chelsea’s glass – is Nikon. Expensive, fast, and beautiful glass. And we don’t plan on going Canon just because of video.

After all – Nikon will soon come out with a great vSLR too right?

Nope. D90, D5000, D300s, D3s – they all pretty much suck video-wise. After the D5000 was announced with such horrible reviews and comments about the quality, jello-cam effect I asked good friend Jim Geduldick ‘can’t we just use our Nikon lenses on the 5d?’. To which he said, “Yes!”

And in fact – some serious filmmakers using the 5dmkii were doing just that. Nikon lenses have aperture rings – Canon lenses don’t. This means they could manually dial in their aperture. With canon you had to half-unturn the lens from it’s mount to break it’s electronic connection and risk dropping your lens in the process.

So adapters. Which are the best? What works and what doesn’t? Well – forget the expensive $100+ ones. They are no better than the cheaper ones. If you have time – order some on ebay from Hong Kong for about $10 and then wait a few weeks. Just be careful that you get a Nikon F mount to Canon EOS. I originally got one that were for a canon EF-S mount (I didn’t know there was a difference, but this is Canon’s cheaper line and the mount won’t fit the mark ii).

Forget the focus confirm versions. My experience with them is that they short out the live view mode and shut it off. I sent it back the same day I got it.

I was left with two from Fotodiox, ordered from Amazon.com – These work perfectly.

At first you’ll find them a pain to get on and off. If you’re not sharing lenses – get one for each of your lenses and leave them on. If you are sharing them, as Chels and I do – practice getting them on and off quickly so that you can be quick about it.

Since you’ll be shooting manual focus anyway – you can search e-bay and camera stores and score some very old, very good glass and adapt it to work with the Canon 7d, 5d Mark 2 etc.. Below is my 24mm 2.8. I love it because it’s a rather fast lens – yet is TINY and LIGHT compared to our huge 14-24mm 2.8 G series lens. It’s become an ‘always bring’ lens just because it fits anywhere. Some of the older metal Nikkor lenses may have a now-unnecessary tab that will prevent it from mounting. I simply wrapped the entire lens (VERY WELL) in tape and dremelled it off. Works perfect now.

Fixing a Nikkor lens to fit on a Canon 5d Mark ii or 7d

Nikon Lens on Canon 5d Mark 2

Now – for the awesome g-series lenses – like our faves: 70-200 2.8, the 14-24, 2.8 and the 105mm macro 2.8, you will need yet a different kind of adaptor. It took me a while to track this down – and at $230 it’s a bit pricier than the previous solutions. However, this adaptor is much cheaper than re-buying each $1800 lens.

I’ve found the best thing is to get an adapter for each lens and keep it on. And that’s about it for tips on Lens adapters. Hope that helps some of you nikon folks get started with quality Canon/Nikon hybrid shooting.

July 31, 2010 - 11:56 am 2oughLv - I agree - the cheap ones work just as well and yo can buy one for each lens. this is perfect for me who owns nikon already. Now hurry up Nikon! Make a Canon killer! :D

July 31, 2010 - 12:34 pm Marcie White - This is magical - i guess the auto focus isn't needed if you're doing video - I never thought of that. Thanks for the info - maybe I won't suffer the d90 any more!

July 31, 2010 - 1:03 pm Andy Stetter - this is a bit of a lifesaver - I was holding off too! Question tho - I see it works with the 7d and 5d - so I assume it works with the T2i?

July 31, 2010 - 1:08 pm jayse - Andy yes - it should work just the same on all canon cams that accept the EOS mount. Keep in mind that with both Canon and Nikon lenses the crop factor of the 7d and the t2i will factor in. (so a 50mm behaves more like an 85, a 24mm might be more like a 50mm etc.)

July 31, 2010 - 1:14 pm jayse - Guesses are that Nikon will do some more prosumer 'tests' and then launch a D4 next spring - but that's a lot of missed shooting time! I say start now!

Stuff to see at NAB

I’ll be updating this when I can and adding detail.

But here’s a few things of interest.

Hardware

Wacom has a new Cintiq – looks and works beautiful.

Just a 3d model at the moment – but Panasonic announced a new hybrid cam that is a cross between a dslr+vid and an actual video camera. It’s called the AG-AF100. It features 60i 1080 for in camera slo mo but the coolest thing is that it features uncompressed HD out. Might be worth checking out the booth for the details.

Zacuto – My favorite gear maker for HDSLRs – check out their latest z-finder jr and their ultra light rigs that I use.

Red Camera… the Scarlet is still… on hold? I still think about it – even tho the 5d has made life easier to live without it.

I followed these guys around a bit while they’re were filming a lot of hdSLR new gear – check out their blog for videos of new gear:

http://www.dslrnewsshooter.com/

Software

Definitely check out the Adobe booth for CS5 new featuers.

The Foundry announces a new end-to-end filmmaking program called Storm Looks sexy at first glance!

Red Giant is having a 30% off sale of all it’s products and plugins – definitely cool!

Presentations  - TUESDAY April 13th

Adobe Booth (used on everything)

  • 10:30am – AE Cs5 – RotoBrush – top new feature -
  • 11:30am - Premiere Pro Cs5 – breakthrough new rendering engine – native 5d editing in realtime
  • 4:30pm - CS5 and HDSLRs -
  • 5:30pm - Speed Production – Script to Screen workflow

Cinema 4d and Bodypaint Booth (used on Avatar, District 9, Beowulf, Narnia,  Spiderman III etc.) – Maxon

  • 10:30am –  Rob Garrott of Bending Pixels will demo the over-the-top show opens he created at Point 360 West for the Spike Network’s Super Dave’s Spike-tacular mockumentary-style series.
  • 11:30 – Mike Senften, a motion graphics artist with 4dthieves.com, will use the high-energy, street smart spots he created for Ecko Watches to showcase the Sound Effector feature in CINEMA 4D’s MoGraph module.
  • 1:30pm – Nick Campbell of Greyscale Gorilla, a seasoned motion designer (Dexter, the Tonight Show with Conan O’Brien, Target, Blackberry), will demonstrate the incredible ease with which CINEMA 4D sparks creativity.
  • 2:30pm – Working fast in c4d – John LePore, associate creative director for Perception shows the studio’s latest motion graphics campaigns using CINEMA 4D on behalf of NBC, Powerade and SPEEDtv.

The Foundry Booth – Nuke (used to composite the Iron Man HUD), Mari (awesome new 3d painting system used on Avatar) – The Foundry

  • 10:45 ILM – Jason Billington – Transformers II and Avatar – Nuke
  • 11:30 ImageWorks – Carey Villegas – Alice in Wonderland – Nuke
  • 12:14 Weta – Robin Hollander – Avatar – Nuke and Ocula
  • 13:00 Weta – Zoe Lord – Texture artist on Avatar – Mari
  • 13:45 ILM – Jason Billington – Transformers II and Avatar – Nuke
  • 14:30 Jim Geduldick – AENY/OffHollywood – AE Plugins – MUST SEE
  • 15:15 Mike Romey – Zoic – Nuke for Postproduction on ‘V’

April 13, 2010 - 10:10 am Andy Stetter - fantastic stuff - I'll be checking the foundry today

August 1, 2010 - 11:24 am Marcie White - I've never gone to these - but now I feel like I've been missing out.

NAB – April 12-15

If you’ll be at NAB let me know. I plan to go to most of the parties for a bit. In the daytime I’ll be in the software South Hall just catching up with people and sitting in on lectures and such.

If you’re a motion designer, video editor or vfx type you might want to check these out too:

I might do the traditional Thursday Monte Carlo Brew Pub gathering.
Carey Dissmore describes is as

“Informal ‘come and go when you want’ nature… everyone is in ‘wind down’ mode and this is a lot of fun!
This is one of the most beloved NAB traditions in our community. A lot of plugin & other software vendors tend to show up and hang out with the gang. Always fun, never boring, and nobody ever leaves hungry or thirsty, LOL.
The NAB show closes at 4pm this day and people generally start gathering at the Pub from about 6pm.”
http://www.montecarlo.com/restaurants/restaurants_the_pub.aspx

I sometimes will twitter things I find interesting or some cool training going on that I’m attending so check @jayse_ for those.

Have fun, see you there!

April 12, 2010 - 10:20 am Joi - I will see you there!

April 12, 2010 - 10:56 am Andy Stetter - Hey man I'll text you when I'm there - going straight to Adobe booth!

Motion 2010 – $99 April 6th Only.

Didn’t want you guys to miss out on this.

What is Motion? Click the logo for more info. It’s not your standard ‘how to use software’ type of convention. In fact it’s rather more like a disneyland of creative learning and inspiration for motion designers, animators and visual effects artists.

Unlike a lot of training resources, Motion focuses on art direction and creativity first and foremost, and they’ve managed to attract some super amazing people to speak and discuss. I’m lucky enough to be included along side them this year in the Motion Advisory Board.

The MAIN reason for this quick post is – tomorrow (April 6) is Motion 2010′s site launch and to celebrate they’re allowing registrations at a pretty insane rate.

Here’s the details:

Are you a pro with a minimum of two years experience in motion graphics, animation, or visual effects? Tomorrow, 04.06.10 motion is launching their site. To celebrate, experienced pros will be able to register for $99. This is valid for 24 hours only. Simply fill out the registration application. When you are approved, motion will contact you for payment information.

I definitely recommend the experience. I’ve been twice and it’s definitely an uplifting, educational and fantastic networking and friend-making event.

Hope to see you there!

Check out the site launch tomorrow:
http://motion.motion.tv

// jayse

April 5, 2010 - 11:57 pm Michael K - I might actually show at this one.

April 12, 2010 - 10:57 am Andy Stetter - Definitely looks interesting - missed the sale. But I'll wait a bit to see how the work pans out.

Flattery

A friend recently pointed out that the website of the new highend hotel in Vegas called Vdara has a similar look, feel, color, layout, and composition to a site I designed for the famous Architect Paul Steelman (also in Vegas) a few years back.

My design:

And Vdara’s new site:

I would have preferred that they not both be for Vegas architects of course but I’ll take the similarities as a nice compliment.

April 5, 2010 - 11:36 pm Cedrik - LoL - That's a bit more than coincidence!

April 5, 2010 - 11:56 pm Michael K - Wow... some boss probably told them "Hey I want it just like that Steelman site!" and they were like, "Okay."

April 6, 2010 - 11:35 am Joi - The other pages have even more similarities - too funny. I'm usually not into who copied what as I think we all derive inspiration - but the fact that its two architects both in Vegas with nearly the same colors, highlight orange, layout and bio images is definitely a bit on the bold side.

April 12, 2010 - 10:58 am Andy Stetter - haha - at least they could have made it look better.

The joy of making messes – Digital Painting with Artrage 3.0

So I’ve been meaning to introduce you to a new favorite program of mine. Designing is one thing – drawing is an entirely different experience and one I wholly recommend. It’s good for the soul. It’s a nice break from font choices and pantone swatches. It’s something every designer should make an effort at. Employers usually recognize that a designer who’s an artist has a large edge over someone that just knows how to kern text properly.

I usually paint in Photoshop. I like the ability to create custom brushes and the tools are familiar. But when I just want to draw – whether storyboards or sketch ideas or just to make a fun mess – Photoshop just doesn’t seem to cut it sometimes.

Enter: Artrage by Ambient Design.

I found this program when it entered version 2.5 and was really impressed with how it was made to work with a tablet – the interface was unique and yet immediately intuitive. It was made to get out of your way and just let you create. You don’t need keyboard shortcuts or long menus to change the most important parts of your painting – everything is immediately available right when you need it.

They’ve now released version 3.0 – and many are saying that it has finally entered the digital painting race with the ‘big’ guys: Photoshop and Painter. The odd thing is – it costs a fraction of what those programs cost.

In a day where software is barely affordable to mere mortals – Artrage can be bought for $20. The pro version is only $80. And if it sounds like I’m a commercial for them I am. An unpaid one of course – but I really love good products with humble prices and I think they deserve as many users as possible. Not to mention – the program is a pure joy to use (and abuse.)

So – how is it different from Photoshop?

Many, many ways. The first major difference you’ll notice is the interface. It’s made for you to create. With a single right-click everything disappears and leaves you with an empty canvas. Otherwise you have sliders that allow you to dial in colors, opacity, rotating canvas etc. intuitively with your pen.

Below is how I have it set up on my Toshiba Satellite in Tablet mode.

The second thing is how paints work – they work like natural media – they have texture and two colors next to each other will blend and merge in ways that Photoshop can only dream of. Below is an example of orange, yellow and white oils mixed together with various levels of dryness and thinner.

Version 3.0 just added water colors and I must say – they are beautiful for the grungy looks I like to get. Below is an example of chalks (orange) mixed with water colors in orange and yellow.

Stencils can be made from any black and white image – and allow for an incredible range of ideas – from adding textures, scratches etc. to… well… stencil art.

I love the way it handles things all artists need like reference images – just import them in and position them where you want them. Hide them – bring them back – reposition. It’s a fantastic way to work.

One of the greatest things about Artrage is how customizable you can make it. You can have preset brushes you’ve made so that the program becomes truly yours.

Version 3.0 adds a brush called ‘sticker spray’ which sounds a bit childish – and it definitely can be. But there’s huge potential for it. It’s essentially like a pattern brush in Illustrator. It will repeat an image – or even more powerfully – a series of images – randomly across your canvas. This allows for some really complex brushes – like alternating numbers such as below

It also does full color images – but I’m not to into that. I’m more excited by how it can add texture and dimensional patterns to my work.

A few people on Ambient Design’s forum were discussing how to convert Photoshop brushes into sticker brushes in Artrage. It was a bit of a process but doable and very exciting. Then they announced an small update to Artrage that imported the Photoshop abr files directly.

The update also allows pods and interface items to be hidden (something myself and a few other members were creating interesting work arounds for).

This tells me this company is listening – it’s actively improving and making this program even better for artists who just want to have fun creating. And I’ll do all I can to support companies and people like that. So give it a try – I think you’ll have some fun making messes (and even art!) again.

A demo for mac or PC can be downloaded here: http://www.artrage.com/artragedemo.html

// jayse

April 3, 2010 - 2:13 pm Barry T - Definitely looks like something worth getting back into. I haven't touched a pencil in ages.

April 4, 2010 - 5:09 pm Jamie Anders - This looks so fun! Awesome paintings by the way. Thanks for the tips!

April 12, 2010 - 10:59 am Andy Stetter - This looks bad ass actually - the one thing about tablet pc's is that when they're in tablet mode they're missing the keyboard shortcuts... so something actually set up for tablets looks awesome! Great painting too btw.

August 1, 2010 - 11:25 am Marcie White - This makes painting actually look fun! Nice post. Love the first painting you did.

Apple iPad – Good or bad?

Apple Ipad

So the iPad is finally here. I’ve been dreaming of it since the first tablet computers came out. Talking to Wacom a few years ago about why Apple hadn’t tapped them for a tablet they replied, “Believe me – it’s not us that’s not been trying.” It was clear – Apple had their own idea in the works.

But is this the tablet I’ve been dreaming of?

No.

This is more what I was dreaming of:

itablet19

The ultimate ART TOOL!

But it’s not.

That doesn’t make it bad – it’s just a different beast. I wanted pressure sensitivity and a stylus so I could paint with it. I wanted a camera so I could use the excellent Storyboard app with it. I wanted to be able to use Photoshop and ArtRage with it. I wanted to see websites with it and not worry that they had something Flash (as 90% of all my site designs are).

So – it’s not the tablet I dreamed of. But it still is pretty cool if you think of it in different ways. It will likely become my main ‘away from home’ machine. (when not designing).

It WILL replace my kindle 2 as fast as you can say SOLD.

And I know that I can paint on it. I’d already painted with the iphone (here’s a video of one) – majorly tricky at first – but strangely liberating at the same time. (I often find myself wishing I could use my fingers to paint on my PC Tablet.) The only major problem was actually the tiny size of the screen for details.

Of course – i could always mod a 13″ macbook for a TRUE Apple Tablet

modbook2

I am actually tempted. But I’ll wait until I play with my new iPad for a while first!

January 29, 2010 - 1:00 am Macy - I'm definitely getting one - you can paint with the apps Brushes or Layers or Sketchbook (new one). Too much fun to ignore! Thanks for your review.

January 29, 2010 - 2:16 am Jessica - I have mixed options on the iPad. I don't think it's nearly as 'revolutionary' as Apple is trying to say it is, but it has potential. I guess we'll have to wait and see.

January 29, 2010 - 3:53 am Libby - It's too bad about the Flash capabilities. I'm surprised how much it lacks. It could have been such a powerful tool, instead of merely a big iphone (without the phone and camera). I do really love your iphone painting though. Would love to see what you can create on this with the large screen!

January 29, 2010 - 4:02 am Michael K. - I don't care what people say, I think it's pretty effing awesome! Leave it to Apple.

January 28, 2010 - 12:09 pm jayse - (just fixed the time settings - now the post time is correct!) The more I see of it - the more I love it for what it is. No doubt painting on it will be super fun. MS's new Courier looks pretty interesting too. Anyway you swing it - it's a fun time to be seeing the birth of all these fun new things. :-)

March 3, 2010 - 11:23 am Gregg - No multitasking....no deal.

August 1, 2010 - 11:26 am Marcie White - I gave in and got one - final verdict: Very worth it.

Symantec Spots

Here are two recent spots I designed and animated for Symantec. I wanted to present an overview of part of the process that goes into making these things – so check out the preceding posts for some ‘behind the scenes’

RSA: 0:30 – click below to view

constrictor-4271

CxO: 2.45 – click below to view

constrictor-2

They were both done as 1920×1080, and each includes a long continuous cam move (always fun in AE) with simple-yet-detailed 3d animations.

jayse_aeworking

There were 12 3d icons to make and animate and I profiled some of what goes into creating them in the previous posts:

Super fun project – looking forward to future ones!

// jayse

April 5, 2009 - 6:07 am Joi - These are beautiful work - write more making-ofs - Very helpful to understand a pro's workflow

April 5, 2009 - 2:01 pm Andy - Those are both bad ass... thank you for sharing your process - totally cool to see how it's really done

April 20, 2009 - 2:55 pm Cedrik - As always lookin' good Jayse - the flow of these is really nice and the 3d parts are superb.

April 20, 2009 - 8:12 pm jayse - Thanks guys - hope to see you at NAB!

August 1, 2010 - 11:28 am Marcie White - So simple - yet so nicely done.

Symantec Progress: Steering Wheel

Part three of the project breakdown of the Symantec spots.

The Control Wheel

Their stock photo was actually a momo rally wheel – I wasn’t able to buy one in time tho I was tempted. I found some on ebay – and luckily the photo reference was good enough to go by.

jayse_wheel_ref

Modeling begins with a simple torus – smoothed

jayse_wheel_modeling

Drew the ‘spokes’ part in Illustrator – traced the photo to get it near exact – then bend them into shape

jayse_wheel_spokes

Then on to texture tweaks

jayse_wheel_tex

picture-113

March 24, 2009 - 5:13 pm AmbEr - I love how your wheel texture even has little dents and flaws in it that keep it looking real - nice attention to detail.

March 27, 2009 - 3:38 pm Asfault - again your textures rawk!

April 6, 2009 - 7:14 am Cedrik - looking good man

April 20, 2009 - 8:08 pm jayse - Thanks guys! You may or may not see it in the final projected on big screens - but that detail has got to be there because in my opinion - you'll 'feel' it if it's not.

April 5, 2009 - 5:08 am Symantec Spots » designer4play - [...] The steering wheel [...]